Complete and all-round reviews:

Unfinished reviews - briefly for now:

Piotr Zabrodzki

Peter is a very special person. Every time when he accidentally tells me about his achievements in the world of music, I am bursting with pride and honour to meet him. Singer, composer, multi-instrumentalist, music producer - a master, but damn humble... Known in different corners of the world, from Mexico to Japan - South Korea he did not skip and that performing at their biggest festival! ... In some time Piotr will write a full review of my model M - for today only briefly:

Absolutely brilliant, linear speaker system, this is the bomb! The best monitor for mix & mastering I've ever owned ...

... READ MORE  [*] if you haven't read the story #part_1, who is the first customer

Jeremiasz Hendzel

I am privileged to be a studio engineer at Damian Pietrasik's Quality Studio which is based in Warsaw, Poland. One day after arriving at work I noticed a new pair of speakers set behind the desk (with the subwoofer placed underneath). The design was lit, so I quickly powered on the computer to hear some of my favourite records through them. First impression was really good. Sound was very detailed and the speakers clearly had a fast transient response. I very much liked the stereo imaging and general feel of the music coming out of them. Then I tried measuring the setup using my Sonarworks Reference set of mic and software - the results were outrageous. The frequency response was really as flat as it gets, differing from the ideal curve by hardly more than 1dB through the most of the audio range. The model M from™ is a killer monitor which has no real competitors within its price tag.
// "I very much enjoy working with the M model because of detailed sound it produces alongside really flat frequency response"
// fb.com_jerryhendzel

Maciej Envee Golinski

The primary source of sound and the heart in my workbench has been for several years now the Universal Audio Apollo 8 card. The listening system is controlled by SPL's Monitor & Talkback Controller and is based on PMC IB1S monitors. For all these years our PMCs were driven by custom amplifiers built on Hypex Audio boards. The sound achieved in this way was very conducive to effective work on mixing and mastering and inspiring in the process of creating and recording music. I had guests in the studio, who themselves used our system for mixing and emphasized the fact of effectiveness of working on it. I have also had guests who are not professional sound engineers but who collect records, spend a lot of time perfecting their home stereo system and spend a lot of money on it. They were always very impressed with our sound. This went on for about 6 years. I think it's safe to say that I got my ears used to great sound and developed a high level of demand for listening conditions at work. On the occasion of some failure of one of the amplifiers, I managed to get a cyberAMP amplifier from Marian Mlodnicki for testing. Initial curiosity after plugging it in quickly turned into amazement. The only thing that was replaced in the circuit was the power amplifier, and the effect is more akin to replacing the DAC with a much higher class one. The sonic stage in our studio now looks as if some bubble surrounding it burst. The wall behind the monitors disappeared - it stretched to make room for a surprising amount of detail with a clarity I had not heard before. High frequencies seem to have softened a bit, leaving a lot of detectable differences between resonances - which is always very helpful when mixing brass elements of drums, vocals, etc. In the bandwidth context, the biggest difference probably occurred in the bass. The CyberAMP controls it perfectly. It is unbelievably effective - bigger at first glance - but it is also fast, dynamic and malleable. I'm in the process of testing its effectiveness on a new system - I don't yet know how its knockout sound will translate into final satisfaction with my mixes when tested on other (everyday) systems. What I do know for sure is that the Marian amplifier has that rare magical power to give great pleasure from listening to music. I have listened to classical, film music from the golden age of large orchestras in a more experimental than classical version, rock, jazz, and powerfully massaged modern electronics. I have a right to suspect that this amplifier will delight professionals as well as hobbyists and other enthusiasts of good sound. I highly recommend checking out this equipment with your own ears. In my case, it was an experience similar to discovering an album so close to the absolute - stunning music and sound that I make room for it on a special shelf.
// fb.com_envee.ensemble

Marek Bilinski

That's right, this is the same Marek Bilinski who escaped to the tropics in 1984-1987 [click to listen] ... For me personally, this is the Polish "Jean-Michel Jarre". If someone had told me those 30+ years ago, when I was listening with delight to Marek's songs, on tapes, that I would have the pleasure of meeting him in person, my eyelids would have lifted (high, above the height of the Tropics). Marek learned about the speakers long ago from Grzegorz (Greg) Jankowicz (they've known each other for years) and agreed to listen to them and write a review. // fb.com_marekbilinski


... "To be short and to the point: fast, clean, precise, linear and HiFi sound, design: what I like, symmetry, solidly made" // @polandaudiozone


... "Using NO DSP is a true USP (Unique Selling Point) - especially in Mastering! Focus on this Marian!" // Jan Gerhard

Also included in my story were:
Oleksa Sodomora

I already know a bit of what I'm talking about with linearpro monitors. I'm so used to such a particular sound that the only thing that changes during recording is actually the position and choice of microphones. I am satisfied with the overall sound without moving any knobs. Such certainty in the work involving the sound of loudspeakers is impossible to judge. I wish everyone could experience something like that. The phenomenal combination of analog aspects in the speakers themselves, as well as the incredible quality and precision of the amplifier ensure that you can really hear what is going on with the sound right from the level of getting it to the microphone. Every time, I feel as if what the musicians are playing in our liveroom is being played in front of me and I am in the liveroom with them. They are actually similar in appearance. They don't embellish anything, they don't distract from each other, they don't add or hide detail. They are simply what they should be. They give the implementer what he needs - the confidence that what is happening is really happening.

UKRAINE // "With the model M I train my ear for compression, which is more difficult on other speakers. These are monitors where you'll notice over-compressed mastering, subtle saturation and wide stereo imaging"

Laszlo Nobee

POLAND // "It is an indescribable experience for me. World-class loudspeakers - they are so good that it is difficult to compare with anything. You have to hear it and immerse yourself in the sound"

Ebenezer Aifuwa

NIGERIA // "What caught my attention was the front look, it was unique, not like the regular monitors we know of. You'll always want to have that second look if you're seeing it for the first time. I have heard the speakers production in some of the videos you have posted and it sounds amazing"

Hatsuo Yoshida

JAPAN // ...

more over time - but not today, don't wait...

№ of entrances in general: ...