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The M model is a direct alternative to such legendary and worldwide respected loudspeakers as the
ATC SCM25A/45A SCM50ASL/100ASL, PMC IB1S/2S, Lipinski L-707, Genelec 1037A/B/C 1038A/B/x 1237A/x 8260A, Neumann K+H O410 & KH420, PSI Audio A25-M, Barefoot MicroMain 27/26 ...
/ Amphion Two18, Dynaudio Air 25, Focal SM9, Adam S5A, HEDD Type 30 mk2, Geithain's RL901K ? Geithain RL944K, Dutch & Dutch 8C, Kii Three, EVE ? >
He works as a sound engineer for a television company.
He is also very skilled post-production and mastering specialist.
He is the new owner of Quality studio 2.0
and founder of Silent Production studio.
By education and experience, I am also a professional musician and composer.
In the studio, I usually work on various monitors, including the main ones being PMC TB2S+ and the Genelec 8341, Genelec 8030, and Tannoy DMT system 8.
The heart of my studio is the Antelope Audio Orion Studio interface and converter.
With this point of reference, I was happy to get down to listening to the two Lipinski L-707 loudspeakers supplied to me and also the linearaudio model M v3.0 powered by the same cyberAMP™ v3.1 amplifier.
Seemingly similar sets with a sealed enclosure design and the concept of two midrange speakers with a physical time alignment tweeter in the middle for best phase alignment.
Listening tests I did by analyzing brilliantly realized recordings i.e.
Kenny Wheeler Quartet - Nicollette, BEADY BELLE - CRICKLEWOOD BROADWAY, Mischa Maisky - Bach: Suites For Solo Violoncello, Helge Lien Trio Guzugusu, Robert Glasper Fuck You Feelings, Bill Frisell "Valentine, Guy Sigsworth Stet, Charlie Haden & Pat Metheny Beyond The Missouri Sky.
I was very familiar with these albums and like to refer to them in various other speaker tests.
To my pleasant surprise, on each set of speakers, each of these recordings revealed new impressions and sometimes subtle new details that escaped me in other listening sessions.
The first thing that comes to mind is great dynamics, transparency in every band, and excellent balance.
The sound is spectacular !
The detail is so immersive that when listening to the album "Charlie Haden & Pat Metheny - Beyond The Missouri Sky" my attention was drawn to the use of clear, maybe even too clear ;)
compression, which I had not paid much attention to before with this album.
On the other hand, the sound of the guitar and double bass itself is superbly rendered in full bandwidth with all the details such as the length and size of the applied reverb or finger shifts on the strings. Spectacular possibilities in the dynamics and sonics of both of these sets emerged when listening to Robert Glasper's "Fuck You Feelings", Bill Frisell's "Valentine" Guy Sigsworth's "Stet".
The forward snare drum in Robert Glasper's Intro Instrumental is impressive, and the carbonation applied to the foot draws even more attention. It's all even clearer and scarier.
The already well-known to me and brilliantly realized album "Stet" by Guy Sigsworth, the producer who worked with Bjork, revealed further amazing details.
Both the Lipinski 707 and linearaudio M are great studio monitors, albeit different in color, so to speak. Tuning.
I am not surprised that the legendary L-707 monitors were a serious inspiration for Marian Mlodnicki to make model M v3.0 monitors.
Considering the whole listening setup i.e. the dedicated cyberAMP™ v3.1 amplifier with switchable modes RISM™ (Remotely Interchangable Sound Modes), based on 3 different crossovers (active in amplifier + passive in loudspeaker), gives us great new listening possibilities.
It is definitely not a copy of Lipinski.
Of course, due to the very concept and construction of the speaker, the overall character is similar, but the tuning of these speakers is completely different, especially in the higher midrange.
Crafted for professional mastering, mix engineers and music producers.
linearpro™ model "M" is flagship reference audio monitoring for studio (Mastering Grade, near-field and mid-field range // from 1.5 to 3.5 meters).
Precise and transparent, natural tone and balanced frequency response. 100% timeless analog, handcrafted drivers pairing (±¼dB). Sealed enclosure, fast response (QTC0.7) & powerful bass.
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I must admit that many years ago I was a fan of the sound of Lipinski L-707 set and had the opportunity to work on it in a couple of studios.
Now having more familiarity and comparison, they no longer impress me as much as they once did. Taste is also framed and honed.
Over the years having experience working on many different audios and having a choice of linearaudio model M, now the Lipinski set even seemed to me at times slightly tiring, and slightly noisy, especially in the upper midrange.
Of course, this is a very subjective issue. I also understand that for many producers the high brightness of this band may be an advantage.
Perhaps it is also a matter of choosing another amplifier for the 707, which will eliminate this effect, but I would like to add that I have hooked up the cyberAMP v3.1 amplifier to many other speakers, e.g. PMC, Tannoy, and all the other amplifiers I own, and the cyberAMP left all its competitors in the shade with its dynamics and clarity. But I know from experience that even the best elements in an audio circuit may not work together, and they need to be well-matched with each other considering many elements. I did not notice this feature in the set of lineraudio M + cyberAMP, so this set is closer to my sound preferences.
I would like to mention that in retrospect, after listening and working on many different monitors, I will say that there is no perfect audition without flaws. No matter how much it costs. Listening, on which we work, is an individual choice and has to meet our personal preferences, matched to the environment in which we listen and work. There are many elements that make up the final result of what we hear and in the end, there are still our needs and tastes. Both sets are great and recommendable, the difference is in what kind of sound we like to work with, and interact with.
Peter is a very special person. Every time when he accidentally tells me about his achievements in the world of music, I am bursting with pride and honour to meet him.
Singer, composer, multi-instrumentalist, music producer - a master, but damn humble...
Known in different corners of the world, from Mexico to Japan - South Korea he did not skip and that performing at their biggest festival!
... In some time Piotr will write a full review of my model M - for today only briefly:
Linearpro speakers are very innovative in terms of design. The loudspeakers look simple, but because of that you can trust them. The design is unique yet ascetic. They look like a professional tool.
Something that captivated me about the Lipinski L-707 when I first heard them was the crystal clarity of the sound. I used them for many years. But Marian has highlighted this quality even more in her "M" loudspeakers, making the linearpro™ monitors an ideal tool for mastering.
Marian is an expressive character. He is a true enthusiast, a tireless engineer and optimist, and has created a product appreciated by outstanding professionals.
The founder of one of the most recognizable pro audio brands, LOOPTROTTER, hosted LINEARPRO loudspeakers in his home and company - reviews with a legendary person whose devices are known from Mexico to Japan will be released in some time ...
linearaudio.pro™ model M+W monitors with a cyberAMP v3.1 are great if not the best in their price range and there is no doubt about it.
Today (January 19, 2022) I had the opportunity to listen to an amplifier that was designed for use in professional recording studios. This amplifier is cyberAMP // ver3.1
It plays phenomenally and is certainly suitable for home use as well. This amp easily drives any speakers that stand in my studio, and there are some :)
The sound is incredibly precise, but not fatiguing. The bass is simply phenomenal. One could write for a long time, but the wiser of the more capable in writing have already done so. If anyone is looking for a powerful amplifier for their system, I recommend cyberAMP // ver3.1 with a clear conscience.
That's right, this is the same Marek Bilinski who escaped to the tropics in 1984-1987
[click to listen]
... For me personally, this is the Polish "Jean-Michel Jarre". If someone had told me those 30+ years ago, when I was listening with delight to Marek songs, on tapes, that I would have the pleasure of meeting him in person, my eyelids would have lifted (high, above the height of the Tropics). Marek learned about the speakers long ago from Grzegorz (Greg) Jankowicz (they've known each other for years) and agreed to listen to them and write a review.
Poland Audio Zone
... To be short and to the point: fast, clean, precise, linear and HiFi sound, design: what I like, symmetry, solidly made
... Using NO DSP is a true USP (Unique Selling Point) - especially in Mastering! Focus on this Marian! ... The linearpro™ logo is good, very modern and clean.
POLAND // "It is an indescribable experience for me. World-class loudspeakers - they are so good that it is difficult to compare with anything. You have to hear it and immerse yourself in the sound"
NIGERIA // "What caught my attention was the front look, it was unique, not like the regular monitors we know of. You'll always want to have that second look if you're seeing it for the first time. I have heard the speakers production in some of the videos you have posted and it sounds amazing"
CJ Barnard "CeeJay"
SOUTH AFRICA // "LinearPro™ - Highest Professional Fidelity audio meets minimalist sculptured art. These beautiful monitors promise to be a worthy addition to any mastering engineer's toolbox, with refined styling to match any environment. Whether they be implemented as main (model M) or secondary references (model S), LinearPro will be the centerpiece of your studio's design! Their elegant and unique style is set to make LinearPro monitors an instantly recognizable future classic. I can't wait to add a set to my studio!"